The new Tana Bridge is a 200 m long new E6 bridge in Finnmark, which replaces the old bridge over the Tana river. The new bridge is a cable-stayed bridge with an asymmetrical tower and a centric cable plane. The lighting concept is based on communication. The bridge is important for the accessibility of the area and creates an important link for transportation and communication in the region. The project symbolizes progress and innovation and has a strong connection to the local culture. The objective of the lighting design is to achieve local and national pride by creating an internationally recognized landmark. Meanwhile the bridge shall communicate with traffic participants and distant observers through dynamic lighting schemes, interaction and experience.

The new Tana Bridge is a 200 m long new E6 bridge in Finnmark, which replaces the old bridge over the Tana river. The new bridge is a cable-stayed bridge with an asymmetrical tower and a centric cable plane. The lighting concept is based on communication. The bridge is important for the accessibility of the area and creates an important link for transportation and communication in the region. The project symbolizes progress and innovation and has a strong connection to the local culture. The objective of the lighting design is to achieve local and national pride by creating an internationally recognized landmark. Meanwhile the bridge shall communicate with traffic participants and distant observers through dynamic lighting schemes, interaction and experience.

Rooms, frescoes and modern interiors are presented grandly and glamorously.
The frescoes that describe Bergen’s trade to the world cover all the walls. These are frontally illuminated from the top of the column capitals. All lighting equipment is placed hidden, without embarrassment for visitors. It was essential to avoid glare for guests sitting on sofas along the walls. It was also a goal that the entire room communicates as a whole. The strong historical style embraces the mirror bar which is a distinctly radical modern approach. To emphasize this further, the front is clad in mirrors. Both the size of the bar and the mirror presented their own challenges. No light sources were allowed to reflect in the mirrors. At the same time, the mirrors reflect the room and thus also light. It all makes for a great wow experience.
In the modern interior design, all light is integrated. Lighting integrated into shelves, ceilings and stairs, close to where the light should be.
Subtle, strong lighting enhances the experience of two stories that have found each other.

Rooms, frescoes and modern interiors are presented grandly and glamorously.
The frescoes that describe Bergen’s trade to the world cover all the walls. These are frontally illuminated from the top of the column capitals. All lighting equipment is placed hidden, without embarrassment for visitors. It was essential to avoid glare for guests sitting on sofas along the walls. It was also a goal that the entire room communicates as a whole. The strong historical style embraces the mirror bar which is a distinctly radical modern approach. To emphasize this further, the front is clad in mirrors. Both the size of the bar and the mirror presented their own challenges. No light sources were allowed to reflect in the mirrors. At the same time, the mirrors reflect the room and thus also light. It all makes for a great wow experience.
In the modern interior design, all light is integrated. Lighting integrated into shelves, ceilings and stairs, close to where the light should be.
Subtle, strong lighting enhances the experience of two stories that have found each other.

Rooms, frescoes and modern interiors are presented grandly and glamorously.
The frescoes that describe Bergen’s trade to the world cover all the walls. These are frontally illuminated from the top of the column capitals. All lighting equipment is placed hidden, without embarrassment for visitors. It was essential to avoid glare for guests sitting on sofas along the walls. It was also a goal that the entire room communicates as a whole. The strong historical style embraces the mirror bar which is a distinctly radical modern approach. To emphasize this further, the front is clad in mirrors. Both the size of the bar and the mirror presented their own challenges. No light sources were allowed to reflect in the mirrors. At the same time, the mirrors reflect the room and thus also light. It all makes for a great wow experience.
In the modern interior design, all light is integrated. Lighting integrated into shelves, ceilings and stairs, close to where the light should be.
Subtle, strong lighting enhances the experience of two stories that have found each other.

Rehabiliteringen av gatelykt i Moss sentrum har på en forbilledlig måte lykkes med å ivareta flere aspekter innen bærekraft. Godt samspill mellom byggherre, rådgiver, leverandør og produsent bidro til at de endte opp med en løsning som ikke bare var langt mer energieffektiv enn den opprinnelige – man fikk samtidig økt kvaliteten på måter som gjorde at anlegget – tross tradisjonell estetikk – leverer lysnivå, fargegjengivelse og komfort tilpasset dagens behov og forventninger. Å ivareta det tradisjonelle utseendet ved gjenbruk av eksisterende lysarmatur var et selvstendig mål, hvor belysningen nå bidrar til at det historiske bymiljøet får vist seg frem i all sin prakt.

ABOUT: 

Zenisk ble kontaktet av Entra eiendom for å lage en lysinstallasjon i atriet til kontorbygget Nygaarden i Bergen. Gode fellesarealer hvor de arbeidende vil trives er viktig for byggherre. Oppgaven til Zenisk var å skape en installasjon som ser like flott ut på dagtid som på kveldstid. Løsningen skulle ha en wow effekt, komplementere arkitekturen i atriet og styrke byggets profil.

LIGHT: 

Den valgte løsningen er en spesialdesignet installasjon av kuler i håndblåst glass med oppheng og detaljer i messing. Konseptet “lysende klang” beskriver hvordan form, farge, størrelse, rytme og speiling i vindusflater i atriet komponeres i en harmonisk helhet. I hver kule sitter en tradisjonell pæreformet LEDfilamentpære som bringer frem den varme fargen i glasskulene. Pærene er testet og valgt ut for ekstra lang forventet levetid (30.000 timer), varmhvit lysfarge (2200 K) og god fargegjengivelse (CRI 90).
Glasskulene er organisk formet og i transparent glass i et utvalg varme fargetoner. Glasset er håndblåst i Spania og designet av House of Holmedal. Kabler skjules i metallstenger av messing som fungerer som oppheng for kulene. Innfestingen i taket i atriet er designet for å lett kunne gjennomføre vedlikehold. Installasjonen er montert på skinner med motor slik at den kan flyttes for adkomst med lift, samtidig er løsningen smekker og ikke dominerende i taket.