Menu
Our focus is to create increased life quality for users and added value for our clients through good visual experiences and stimulating environments.
We emphasize collaboration, creativity, meaning, simplicity, environment, trust, quality of life and the social mechanisms of people.
Our clients are architects, landscape architects, urban planners, municipalities, engineers and property developers.
In collaboration with you, we create lighting design solutions that are inclusive, open and shared by everyone.
Sustainability is not only a box to tick for us. It is a core value that we implement in all project through concrete actions, a unique developed approach, refined process and method.
We pledge for all our projects to be circular and zero CO2 by 2030.
Sustainability in lighting made concrete.
Client:
Hennes & Mauritz
Architecture: NSW Arkitekter
Developer: Veidekke
Illustrations: ZENISK
Photo: Tomasz Majewski
Category: facade
ABOUT: The new H&M flagship store will move into Karl Johans gate 14 and Zenisk has been commissioned to create a concept for facade lighting.
LIGHT: Veidekke and NSW Arkitekter are working on upgrading the fine historic building. The facade lighting will highlight the architectural qualities in a subtle way. At the same time, the lighting will highlight the new design of the tower and thus focus on the impressive building on the corner of Oslo’s most important street. Illuminated old and new elements create a holistic and elegant expression of the facade.
Client:
Hennes & Mauritz
Architecture: NSW Arkitekter
Developer: Veidekke
Illustrations: ZENISK
Photo: Tomasz Majewski
Category: facade
ABOUT: The new H&M flagship store will move into Karl Johans gate 14 and Zenisk has been commissioned to create a concept for facade lighting.
LIGHT: Veidekke and NSW Arkitekter are working on upgrading the fine historic building. The facade lighting will highlight the architectural qualities in a subtle way. At the same time, the lighting will highlight the new design of the tower and thus focus on the impressive building on the corner of Oslo’s most important street. Illuminated old and new elements create a holistic and elegant expression of the facade.
ARK: Dronninga Landskap
Foto: Tomasz Majewski, Fovea Studio
Priser: Norsk Lyspris 2020 – Beste spesialdesignet produkt til prosjekt
Stavanger lighting plan is designed with strategies that provide concrete tools for evaluating solutions for lighting.
ABOUT: In 2019, the municipal sub-plan for Stavanger City Center was adopted. The plan contains strategic planning measures for urban development. Stavanger municipality defined 5 goals for the city’s lighting in the future. These are:
Based on these criteria, Zenisk has designed a new strategic lighting plan for Stavanger city center.
The process has included extensive user participation in the form of workshops, night walks, presentations and discussions
along the way.
Category: Lighting Masterplan
The new Tana Bridge is a 200 m long new E6 bridge in Finnmark, which replaces the old bridge over the Tana river. The new bridge is a cable-stayed bridge with an asymmetrical tower and a centric cable plane. The lighting concept is based on communication. The bridge is important for the accessibility of the area and creates an important link for transportation and communication in the region. The project symbolizes progress and innovation and has a strong connection to the local culture. The objective of the lighting design is to achieve local and national pride by creating an internationally recognized landmark. Meanwhile the bridge shall communicate with traffic participants and distant observers through dynamic lighting schemes, interaction and experience.
The new Tana Bridge is a 200 m long new E6 bridge in Finnmark, which replaces the old bridge over the Tana river. The new bridge is a cable-stayed bridge with an asymmetrical tower and a centric cable plane. The lighting concept is based on communication. The bridge is important for the accessibility of the area and creates an important link for transportation and communication in the region. The project symbolizes progress and innovation and has a strong connection to the local culture. The objective of the lighting design is to achieve local and national pride by creating an internationally recognized landmark. Meanwhile the bridge shall communicate with traffic participants and distant observers through dynamic lighting schemes, interaction and experience.
‘The lighting concept for the Frescohallen will give the historic and the modern each their own personality. In an exciting meeting, the two timelines separate and unite, giving them each separately, as well as a unified narrative. As if they had been exhibited in a museum, they are the historical frescoes subtly highlighted with simple strokes’
Rooms, frescoes and modern interiors are presented grandly and glamorously.
The frescoes that describe Bergen’s trade to the world cover all the walls. These are frontally illuminated from the top of the column capitals. All lighting equipment is placed hidden, without embarrassment for visitors. It was essential to avoid glare for guests sitting on sofas along the walls. It was also a goal that the entire room communicates as a whole. The strong historical style embraces the mirror bar which is a distinctly radical modern approach. To emphasize this further, the front is clad in mirrors. Both the size of the bar and the mirror presented their own challenges. No light sources were allowed to reflect in the mirrors. At the same time, the mirrors reflect the room and thus also light. It all makes for a great wow experience.
In the modern interior design, all light is integrated. Lighting integrated into shelves, ceilings and stairs, close to where the light should be.
Subtle, strong lighting enhances the experience of two stories that have found each other.
‘The lighting concept for the Frescohallen will give the historic and the modern each their own personality. In an exciting meeting, the two timelines separate and unite, giving them each separately, as well as a unified narrative. As if they had been exhibited in a museum, they are the historical frescoes subtly highlighted with simple strokes’
Rooms, frescoes and modern interiors are presented grandly and glamorously.
The frescoes that describe Bergen’s trade to the world cover all the walls. These are frontally illuminated from the top of the column capitals. All lighting equipment is placed hidden, without embarrassment for visitors. It was essential to avoid glare for guests sitting on sofas along the walls. It was also a goal that the entire room communicates as a whole. The strong historical style embraces the mirror bar which is a distinctly radical modern approach. To emphasize this further, the front is clad in mirrors. Both the size of the bar and the mirror presented their own challenges. No light sources were allowed to reflect in the mirrors. At the same time, the mirrors reflect the room and thus also light. It all makes for a great wow experience.
In the modern interior design, all light is integrated. Lighting integrated into shelves, ceilings and stairs, close to where the light should be.
Subtle, strong lighting enhances the experience of two stories that have found each other.
‘The lighting concept for the Frescohallen will give the historic and the modern each their own personality. In an exciting meeting, the two timelines separate and unite, giving them each separately, as well as a unified narrative. As if they had been exhibited in a museum, they are the historical frescoes subtly highlighted with simple strokes’
Rooms, frescoes and modern interiors are presented grandly and glamorously.
The frescoes that describe Bergen’s trade to the world cover all the walls. These are frontally illuminated from the top of the column capitals. All lighting equipment is placed hidden, without embarrassment for visitors. It was essential to avoid glare for guests sitting on sofas along the walls. It was also a goal that the entire room communicates as a whole. The strong historical style embraces the mirror bar which is a distinctly radical modern approach. To emphasize this further, the front is clad in mirrors. Both the size of the bar and the mirror presented their own challenges. No light sources were allowed to reflect in the mirrors. At the same time, the mirrors reflect the room and thus also light. It all makes for a great wow experience.
In the modern interior design, all light is integrated. Lighting integrated into shelves, ceilings and stairs, close to where the light should be.
Subtle, strong lighting enhances the experience of two stories that have found each other.
Want to bring lighting design to the table for a discussion?
We offer many subject-specific presentations and workshops.
We can meet in person or online.
whether you are a city, an architect, a developer or private person we would be happy to hear from you and have a chat about your project.
Eyveig Antonsdottir, Project Director & Lighting Designer
Sign up to our mailing list to get the latest news!
Not spammy, we send only a handful of them a year.
